Showing posts with label chance. Show all posts
Showing posts with label chance. Show all posts

Saturday, 31 March 2018

A Pious Deception of Self-Creation

What follows is at times philosophical, at others poetic, and at others still, metaphorical. Yet at all times it is thoughtful. Overall, its subject is our world, our place in the world, our rhetorical context as living beings cast into a universe beyond us. If you hate thinking and do not see why human beings should contemplate then it is not for you. Leave, you will only annoy yourself. But if you can think and, even, dare to try to understand then you will find this of use. It requires no special knowledge or understanding outside from a few references the well read may recognise. But, in any case, those with the curiosity to seek further always will. And those without it won’t. That is their joy and the bounty that nature has bestowed upon them. But, for now, I relay to you a kind of myth and ask only that try to understand it….





How we, too, are still pious. - In science convictions have no rights of citizenship, as one says with good reason. Only when they decide to descend to the modesty of hypotheses, of a provisional experimental point of view, of a regulative fiction, they may be granted admission and even a certain value in the realm of knowledge - though always with the restriction that they remain under police supervision, under the police of mistrust. - But does this not mean, if you consider it more precisely, that a conviction may obtain admission to science only when it ceases to be a conviction? Would it not be the first step in the discipline of the scientific spirit that one would not permit oneself any more convictions?


Probably this is so; only we still have to ask: To make it possible for this discipline to begin, must there not be some prior conviction - even one that is so commanding arid unconditional that it sacrifices all other convictions to itself? We see that science also rests on a faith; there simply is no science "without presuppositions." The question whether truth is needed must not only have been affirmed in advance, but affirmed to such a degree that the principle, the faith, the conviction finds expression: “Nothing is needed more than truth, and in relation to it everything else has only second-rate value."


This unconditional will to truth - what is it? Is it the will not to allow oneself to be deceived? Or is it the will not to deceive? For the will to truth could be interpreted in the second way, too - if only the special case "I do not want to deceive myself" is subsumed under the generalization "I do not want to deceive." But why not deceive? But why not allow oneself to be deceived?


Note that the reasons for the former principle belong to an altogether different realm from those for the second. One does not want to allow oneself to be deceived because one assumes that it is harmful, dangerous, calamitous to be deceived. In this sense, science would be a long-range prudence, a caution, a utility; but one could object in all fairness: How is that? Is wanting not to allow oneself to be deceived really less harmful, less dangerous, less calamitous? What do you know in advance of the character of existence to be able to decide whether the greater advantage is on the side of the unconditionally mistrustful or of the unconditionally trusting? But if both should be required, much trust as well as much mistrust, from where would science then be permitted to take its unconditional faith or conviction on which it rests, that truth is more important than any other thing, including every other conviction? Precisely this conviction could never have come into being if both truth and untruth constantly proved to be useful, which is the case. Thus - the faith in science, which after all exists undeniably, cannot owe its origin to such a calculus of utility; it must have originated in spite of the fact that the disutility and dangerousness of “the will to truth," of “truth at any price” is proved to it constantly. "At any price'': how well we understand these words once we have offered and slaughtered one faith after another on this altar!


Consequently, "will to truth" does not mean "I will not allow myself to be deceived" but - there is no alternative - "I will not deceive, not even myself”; and with that we stand on moral ground. For you only have to ask yourself carefully, “Why do you not want to deceive?" especially if it should seem - and it does seem! - as if life aimed at semblance, meaning error, deception, simulation, delusion, self-delusion, and when the great sweep of life has actually always shown itself to be on the side of the most unscrupulous polytropoi. (“Polytropos” was a word used by Homer of Odysseus in the opening lines of The Odyssey. It describes his wily ability to deceive which, in the story, is what gets him safely home and vanquishes even his divine enemies.) Charitably interpreted, such a resolve might perhaps be a quixotism, a minor slightly mad enthusiasm; but it might also be something more serious, namely, a principle that is hostile to life and destructive. - “Will to truth" - that might be a concealed will to death.


Thus the question "Why science?" leads back to the moral problem: Why have morality at all when life, nature, and history are "not moral"? No doubt, those who are truthful in that audacious and ultimate sense that is presupposed by the faith in science thus affirm another world than the world of life, nature, and history; and insofar as they affirm this "other world" - look, must they not by the same token negate its counterpart, this world, our world? - But you will have gathered what I am driving at, namely, that it is still a metaphysical faith upon which our faith in science rests - that even we seekers after knowledge today, we godless anti-metaphysicians still take our fire, too, from the flame lit by a faith that is thousands of years old, that Christian faith which was also the faith of Plato, that God is the truth, that truth is divine. - But what if this should become more and more incredible, if nothing should prove to be divine anymore unless it were error, blindness, the lie - if God himself should prove to be our most enduring lie?


As interpreters of our experiences. - One sort of honesty has been alien to all founders of religions and their kind: They have never made their experiences a matter of conscience for knowledge. "What did I really experience? What happened in me and around me at that time? Was my reason bright enough? Was my will opposed to all deceptions of the senses and bold in resisting the fantastic?" None of them has asked such questions, nor do any of our dear religious people ask them even now. On the contrary, they thirst after things that go against reason, and they do not wish to make it too hard for themselves to satisfy it. So they experience "miracles” and "rebirths" and hear the voices of little angels! But we, we others who thirst after reason, are determined to scrutinize our experiences as severely as a scientific experiment - hour after hour, day after day. We ourselves wish to be our experiments and guinea pigs.


New struggles. - After Buddha was dead, his shadow was still shown for centuries in a cave - a tremendous, gruesome shadow. God is dead; but given the way of men, there may still be caves for thousands of years in which his shadow will be shown. - And we - we still have to vanquish his shadow, too. (Let us here not be dumb enough to imagine that what is meant is merely one sort of god.)


Let us beware.- Let us beware of thinking that the world is a living being. Where should it expand? On what should it feed? How could it grow and multiply? We have some notion of the nature of the organic; and we should not reinterpret the exceedingly derivative, late, rare, accidental, that we perceive only on the crust of the earth and make of it something essential, universal, and eternal, which is what those people do who call the universe an organism. This nauseates me. Let us even beware of believing that the universe is a machine: it is certainly not constructed for one purpose, and calling it a "machine" does it far too much honour.


Let us beware of positing generally and everywhere anything as elegant as the cyclical movements of our neighbouring stars; even a glance into the Milky Way raises doubts whether there are not far coarser and more contradictory movements there, as well as stars with eternally linear paths, etc. The astral order in which we live is an exception; this order and the relative duration that depends on it have again made possible an exception of exceptions: the formation of the organic. The total character of the world, however, is in all eternity chaos - in the sense not of a lack of necessity but of a lack of order, arrangement, form, beauty, wisdom, and whatever other names there are for our aesthetic anthropomorphisms. Judged from the point of view of our reason, unsuccessful attempts are by all odds the rule, the exceptions are not the secret aim, and the whole musical box repeats eternally its tune which may never be called a melody - and ultimately even the phrase “unsuccessful attempt" is too anthropomorphic and reproachful. But how could we reproach or praise the universe? Let us beware of attributing to it heartlessness and unreason or their opposites: it is neither perfect nor beautiful, nor noble, nor does it wish to become any of these things; it does not by any means strive to imitate man. None of our aesthetic and moral judgments apply to it. Nor does it have any instinct for self-preservation or any other instinct; and it does not observe any laws either. Let us beware of saying that there are laws in nature. There are only necessities: there is nobody who commands, nobody who obeys, nobody who trespasses. Once you know that there are no purposes, you also know that there is no accident; for it is only beside a world of purposes that the word “accident” has meaning. Let us beware of saying that death is opposed to life. The living is merely a type of what is dead, and a very rare type.


Let us beware of thinking that the world eternally creates new things. There are no eternally enduring substances; matter is as much of an error as the God of the Eleatics. But when shall we ever be done with our caution and care? When will all these shadows of God cease to darken our minds? When will we complete our de-deification of nature? When may we begin to “naturalise" humanity in terms of a pure, newly discovered, newly redeemed nature?


Origin of the logical. - How did logic come into existence in the human being's head? Certainly out of illogic, whose realm originally must have been immense. Innumerable beings who made inferences in a way different from ours perished; for all that, their ways might have been truer. Those, for example, who did not know how to find often enough what is "equal" as regards both nourishment and hostile animals - those, in other words, who subsumed things too slowly and cautiously - were favored with a lesser probability of survival than those who guessed immediately upon encountering similar instances that they must be equal. The dominant tendency, however, to treat as equal what is merely similar - an illogical tendency, for nothing is really equal - is what first created any basis for logic.


In order that the concept of substance could originate - which is indispensable for logic although in the strictest sense nothing real corresponds to it - it was likewise necessary that for a long time one did not see nor perceive the changes in things. The beings that did not see so precisely had an advantage over those that saw everything "in flux." At bottom, every high degree of caution in making inferences and every skeptical tendency constitute a great danger for life. No living beings would have survived if the opposite tendency - to affirm rather than suspend judgment, to err and make up things rather than wait, to assent rather than negate, to pass judgment rather than be just - had not been bred to the point where it became extraordinarily strong.


The course of logical ideas and inferences in our brain today corresponds to a process and a struggle among impulses that are, taken singly, very illogical and unjust. We generally experience only the result of this struggle because this primeval mechanism now runs its course so quickly and is so well concealed.


Cause and effect. - "Explanation" is what we call it, but it is "description" that distinguishes us from older stages of knowledge and science. Our descriptions are better - we do not explain any more than our predecessors. We have uncovered a manifold one-after-another where the naive person and inquirer of older cultures saw only two separate things. "Cause” and "effect" is what one says; but we have merely perfected the image of becoming without reaching beyond the image or behind it. In every case the series of "causes” confronts us much more completely, and we infer: first, this and that has to precede in order that this or that may then follow - but this does not involve any comprehension. In every chemical process, for example, quality appears as a "miracle," as ever; also, every locomotion; nobody has "explained" a push. But how could we possibly explain anything? We operate only with things that do not exist: lines, planes, bodies, atoms, divisible time spans, divisible spaces. How should explanations be at all possible when we first turn everything into an image, our image!


It will do to consider science as an attempt to humanise things as faithfully as possible; as we describe things and their one-after-another, we learn how to describe ourselves more and more precisely. Cause and effect: such a duality probably never exists; in truth we are confronted by a continuum out of which we isolate a couple of pieces, just as we perceive motion only as isolated points and then infer it without ever actually seeing it. The suddenness with which many effects stand out misleads us; actually it is sudden only for us. In this moment of suddenness there is an infinite number of processes that elude us. An intellect that could see cause and effect as a continuum and a flux and not, as we do, in terms of an arbitrary division and dismemberment, would repudiate the concept of cause and effect and deny all conditionality.


How far the moral sphere extends. - As soon as we see a new image, we immediately construct it with the aid of all our previous experiences depending on the degree of our honesty and justice. All experiences are moral experiences, even in the realm of sense perception.


The four errors. - Human beings have been educated by their errors. First, they always saw themselves only incompletely; second, they endowed themselves with fictitious attributes; third, they placed themselves in a false order of rank in relation to animals and nature; fourth, they invented ever new tables of goods and always accepted them for a time as eternal and unconditional: as a result of this, now one and now another human impulse and state held first place and was ennobled because it was esteemed so highly. If we removed the effects of these four errors, we should also remove humanity, humaneness, and "human dignity."


Life no argument. - We have arranged for ourselves a world in which we can live-by positing bodies, lines, planes, causes and effects, motion and rest, form and content; without these articles of faith nobody now could endure life. But that does not prove them. Life is no argument. The conditions of life might include error.


In the horizon of the infinite. - We have left the land and have embarked. We have burned our bridges behind us - indeed, we have gone farther and destroyed the land behind us. Now, little ship, look out! Beside you is the ocean: to be sure, it does not always roar, and at times it lies spread out like silk and gold and reveries of graciousness. But hours will come when you will realise that it is infinite and that there is nothing more awesome than infinity. Oh, the poor bird that felt free and now strikes the walls of this cage! Woe, when you feel homesick for the land as if it had offered more freedom - and there is no longer any "land."


The madman.- Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the marketplace. and cried incessantly: "I seek God! I seek God!'' - As many of those who did not believe in God were standing around just then, he provoked much laughter. Has he got lost? asked one. Did he lose his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? emigrated? - Thus they yelled and laughed.

The madman jumped into their midst and pierced them with his eyes. “Whither is God?" he cried; "I will tell you. We have killed him - you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions? Is there still any up or down? Are we not straying as through an infinite nothing? Do we not feel the breath of empty space? Has it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning? Do we hear nothing as yet of the noise of the gravediggers who are burying God? Do we smell nothing as yet of the divine decomposition? Gods, too, decompose. God is dead. God remains dead. And we have killed him.


"How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? There has never been a greater deed; and whoever is born after us - for the sake of this deed he will belong to a higher history than all history hitherto."


Here the madman fell silent and looked again at his listeners; and they, too, were silent and stared at him in astonishment. At last he threw his lantern on the ground, and it broke into pieces and went out. "I have come too early," he said then; "my time is not yet. This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightning and thunder require time; the light of the stars requires time; deeds, though done, still require time to be seen and heard. This deed is still more distant from them than the most distant stars - and yet they have done it themselves.”


It has been related further that on the same day the madman forced his way into several churches and there struck up his requiem aeternam deo. Led out and called to account, he is said always to have replied nothing but: "What after all are these churches now if they are not the tombs and sepulchers of God?”


Mystical explanations.- Mystical explanations are considered deep. The truth is that they are not even superficial.


Long live physics! - How many people know how to observe something? Of the few who do, how many observe themselves? "Everybody is farthest away - from themselves"; all who try the reins know this to their chagrin, and the maxim "know thyself!" addressed to human beings by a god, is almost malicious. That the case of self-observation is indeed as desperate as that is attested best of all by the manner in which almost everybody talks about the essence of moral actions - this quick, eager, convinced, and garrulous manner with its expression, its smile, and its obliging ardour! One seems to have the wish to say to you: "But my dear friend, precisely this is my specialty. You have directed your question to the one person who is entitled to answer you. As it happens, there is nothing about which I am as wise as about this. To come to the point: when a human being judges 'this is right' and then infers 'therefore it must be done: and then proceeds to do what he has thus recognized as right and designated as necessary - then the essence of his action is moral."


But my friend, you are speaking of three actions instead of one. When you judge "this is right," that is an action, too. Might it not be possible that one could judge in a moral and in an immoral manner? Why do you consider this, precisely this, right?


"Because-this is what my conscience tells me; and the voice of conscience is never immoral, for it alone determines what is to be moral."


But why do you listen to the voice of your conscience? And what gives you the right to consider such a judgment true and infallible? For this faith - is there no conscience for that? Have you never heard of an intellectual conscience? A conscience behind your “conscience"? Your judgment "this is right" has a pre-history in your instincts, likes, dislikes, experiences, and lack of experiences. "How did it originate there?” you must ask, and then also: "What is it that impels me to listen to it?" You can listen to its commands like a good soldier who hears his officer's command. Or like a woman who loves the man who commands. Or like a flatterer and coward who is afraid of the commander. Or like a dunderhead who obeys because no objection occurs to him. In short, there are a hundred ways in which you can listen to your conscience. But that you take this or that judgment for the voice of conscience - in other words, that you feel something to be right - may be due to the fact that you have never thought much about yourself and simply have accepted blindly that what you had been told ever since your childhood was right; or it may be due to the fact that what you call your duty has up to this point brought you sustenance and honours - and you consider it "right" because it appears to you as your own "condition of existence" (and that you have a right to existence seems irrefutable to you).


For all that, the firmness of your moral judgment could be evidence of your personal abjectness, of impersonality; your "moral strength" might have its source in your stubbornness - or in your inability to envisage new ideals. And, briefly, if you had thought more subtly, observed better, and learned more, you certainly would not go on calling this "duty" of yours and this “conscience" of yours duty and conscience. Your understanding of the manner in which moral judgments have originated would spoil these grand words for you, just as other grand words, like "sin" and "salvation of the soul" and "redemption" have been spoiled for you. - And now don't cite the categorical imperative, my friend! This term tickles my ear and makes me laugh despite your serious presence. It makes me think of the old Kant who had obtained the "thing in itself” by stealth - another very ridiculous thing !- and was punished for this when the "categorical imperative” crept stealthily into his heart and led him astray - back to "God," "soul," "freedom,” and "immortality," like a fox who loses his way and goes astray back into his cage. Yet it had been his strength and cleverness that had broken open the cage!


What? You admire the categorical imperative within you? This "firmness" of your so-called moral judgment? This "unconditional'' feeling that "here everyone must judge as I do"? Rather admire your selfishness at this point. And the blindness, pettiness, and frugality of your selfishness. For it is selfish to experience one's own judgment as a universal law; and this selfishness is blind, petty, and frugal because it betrays that you have not yet discovered yourself nor created for yourself an ideal of your own, your very own - for that could never be somebody else’s and much less that of all, all!


Anyone who still judges "in this case everybody would have to act like this'' has not yet taken five steps toward self-knowledge. Otherwise they would know that there neither are nor can be actions that are the same: that every action that has ever been done was done in an altogether unique and irretrievable way, and that this will be equally true of every future action; that all regulations about actions relate only to their coarse exterior (even the most inward and subtle regulations of all moralities so far); that these regulations may lead to some semblance of sameness, but really only to some semblance; that as one contemplates or looks back upon any action at all, it is and remains impenetrable; that our opinions about "good” and "noble” and "great" can never be proved true by our actions because every action is unknowable; that our opinions, valuations, and tables of what is good certainly belong among the most powerful levers in the involved mechanism of our actions, but that in any particular case the law of their mechanism is indemonstrable.


Let us therefore limit ourselves to the purification of our opinions and valuations and to the creation of our own new tables of what is good, and let us stop brooding about the "moral value of our actions”! Yes, my friends, regarding all the moral chatter of some about others it is time to feel nauseous. Sitting in moral judgment should offend our taste. Let us leave such chatter and such bad taste to those who have nothing else to do but drag the past a few steps further through time and who never live in the present - which is to say the many, the great majority. We, however, want to become those we are - human beings who are new, unique, incomparable, who give themselves laws, who create themselves. To that end we must become the best learners and discoverers of everything that is lawful and necessary in the world: we must become physicists in order to be able to be creators in this sense - while hitherto all valuations and ideals have been based on ignorance of physics or were constructed so as to contradict it. Therefore: long live physics! And even more so that which compels us to turn to physics - our honesty!


The meaning of our cheerfulness. - The greatest recent event - that “God is dead,” that the belief in the Christian god has become unbelievable - is already beginning to cast its first shadows over Europe. For the few at least, whose eyes - the suspicion in whose eyes is strong and subtle enough for this spectacle, some sun seems to have set and some ancient and profound trust has been turned into doubt; to them our old world must appear daily more like evening, more mistrustful, stranger, “older.” But in the main one may say: The event itself is far too great, too distant, too remote from the multitude's capacity for comprehension even for the tidings of it to be thought of as having arrived as yet. Much less may one suppose that many people know as yet what this event really means - and how much must collapse now that this faith has been undermined because it was built upon this faith, propped up by it, grown into it; for example, the whole of our European morality. This long plenitude and sequence of breakdown, destruction, ruin, and cataclysm that is now impending - who could guess enough of it today to be compelled to play the teacher and advance proclaimer of this monstrous logic of terror, the prophet of a gloom and an eclipse of the sun whose like has probably never yet occurred on earth?


Even we born guessers of riddles who are, as it were, waiting on the mountains, posted between today and tomorrow, stretched in the contradiction between today and tomorrow, we firstlings and premature births of the coming century, to whom the shadows that must soon envelop Europe really should have appeared by now - why is it that even we look forward to the approaching gloom without any real sense of involvement and above all without any worry and fear for ourselves? Are we perhaps still too much under the impression of the initial consequences of this event - and these initial consequences, the consequences for ourselves, are quite the opposite of what one might perhaps expect: They are not at all sad and gloomy but rather like a new and scarcely describable kind of light, happiness, relief, exhilaration, encouragement, dawn.


Indeed, we philosophers and "free spirits” feel, when we hear the news that "the old god is dead," as if a new dawn shone on us; our heart overflows with gratitude, amazement, premonitions, expectation. At long last the horizon appears free to us again, even if it should not be bright; at long last our ships may venture out again, venture out to face any danger; all the daring of the lover of knowledge is permitted again; the sea, our sea, lies open again; perhaps there has never yet been such an ''open sea”.


Taken from sections 344, 319, 108, 109, 111, 112, 114, 115, 121, 124, 125, 126, 335 and 343 of Die Fröhliche Wissenschaft by Friedrich Nietzsche.

Saturday, 17 October 2015

A Change is As Good As A Rest

This week has been a reinvigorating and refreshing one for me in a creative sense. I predicted some weeks ago that my creativity would inevitably break down and that what I had been doing for 9 months would quite organically collapse. And so it has proved to be. A combination of being constitutionally unable to continue repeating myself and the dreaded month of October, in which my world always seems once more to descend into the depths, with the vanishing light and the increase of night, have made my premonition come true.

And so the Berlin School-influenced music has now vanished. This week, in its place, came experiments with noise and sound. In a strange way I'm still locked into the same German influences that I have been following all year though. Listen to the first album by Tangerine Dream from 1969 (Electronic Meditation) or to the first couple of albums by Cluster (who were then called Kluster) or Popol Vuh's first album (Affenstunde) and what you hear is musical experimentations with sound. Nothing more and nothing less. There is no song structure here. Its merely playing with sound until you decide to stop. Fast forward into the 80s, 90s and 00s and people like Coil, Autechre and Aphex Twin are found doing pretty much the same thing but with different tools.


                Kluster (later Cluster) - Dieter Moebius and Hans-Joachim Roedelius

I have this notion in my head, thats been growing for some time now, that a fixation with making a tune is a great deceiver in making music. There is, of course, a mainstream bias towards it. No piece of noise art would get into a popular chart. Even the great names of noise genres were never popular in a mainstream sense. Tangerine Dream only did one album playing with sounds before developing into the makers of evolving electronic music that they came to be with their many TV and film soundtracks to keep them going. Industrial acts like Throbbing Gristle, Cabaret Voltaire or Test Dept, who similarly wanted to play with sound, are niche bands with artistic or political things to say. They are not mainstream acts. Even the aforementioned Aphex Twin, the hero these days of fanboys everywhere, is not a popular artist in a mainstream sense. Most people would not know who he is. But people do know who any number of artists are who will knock out the lamest of tunes. Its music you can hum. Arcade Fire and Coldplay are popular. IDM artists and old German noise experimenters are not.


Aphex Twin


Autechre


And yet it quickly becomes clear to any musician with any sense of adventure whatsoever that the world is full of sounds both imaginable and unimaginable. And, as I've said over and over again, there are no rules in music. And you cannot "go wrong". "A mistake" only exists if you conceive of the idea that there is something you should have done instead of what you actually did do. But what if you forget the idea of having an antecedent plan for where you want to go and, instead, you just throw things together? What if you made up some arbitrary rules and just followed them? What if pitch and tune became completely irrelevant to the process? What if the only thing that matters in music is not that you can save it and repeat it (my current pet hate) but that you can manipulate it, twist it and mangle it into insensibility right now in this moment which is all that matters? No two performances of music (even when its meant to be the same piece) will ever be the same anyway. So why keep trying to replicate?

None of this is new of course. The musical avantgarde of the 40s, 50s and 60s were already embracing such ideas 60 or even 70 years ago. My favourite of these people is John Cage with his chance operations in which he would arbitrarily follow some rules or ideas he had made up or that the I Ching (an ancient Chinese divination text utilizing cleromancy) had ordained he must follow. This was music at random. Brian Eno is famous for his "oblique strategies" which are his own way of following a random rule or idea and just seeing where it takes you. David Bowie has always utilized random ways of writing lyrics for his songs, either with paper and scissors or in electronic ways. Throbbing Gristle often seemingly had no guide at all other than choosing an instrument and then playing it exactly the way you were not intended to. Cosey Fanni Tutti, the guitar player, would often play the electric guitar sitting down by hitting it with something or bowing it rather than strumming the strings or playing recognizable chords. (She still does this today together with fellow former TG member and her partner, Chris Carter, in their current musical endeavours.) She also had a cornet she couldn't play, not that it mattered. Autechre's increasing uses of software to make music has often resulted in outcomes that were not predictable to the musicians themselves and has given much of their work the flavour of sound abstraction.


                                             Cosey Fanni Tutti and Chris Carter

So why do this? In my own mind its because not doing things "properly", not being able (or wanting) "to play" or just saying "fuck the rules and expectations" is actually a very freeing thing to do. There is no bigger boundary to artistic freedom than being told there is a way that you should  do something or that there is an expectation it needs to have a certain structure, style or expected outcome. I don't think that people who play up to these standards are being particularly artistic nor are they really doing anything other than joining the dots. It is relatively easy to write "a song". Anyone, even if they don't know it, can write a simple repeating pattern of notes. Repeat it for three minutes and you have a song. Easy. But why do it? There are, of course, many who have long and enduring commercial careers based on their ability to bash out the same thing for years. But who said that commerce or getting rich were the goals of musical art? All things must pass, including your incredible wealth and lame, mainstream and very popular music. But what did you stand for?

Let's get to what I've been doing this week. I have this notion that ideas are the currency of artists. It is then for the artist to use whatever skill he or she has to bring the ideas they have to fruition. But the idea is key. My idea this week has been relatively simple: take a number of sounds or pieces of music or noises and just juxtapose them on a sequencer timeline. Do this unconsciously and in no way deliberately (that means often not even knowing what the music or sound or noise is) almost like throwing playing cards on to a table and letting them fall where they may. Then, once you have given each sound a track, play with them. Change their speed, reverse them, chop them up, add effects to some but not others (reverbs, distortion and delays are favourites here). None of this is new. Its all been done before. But its freeing because no one, especially not you, even knows what you will get at the end. Often I didn't even listen to what I had got at the end. I just made sure the sound level was tolerably OK and recorded what was there. Listening back to the album was the first time I heard the whole piece. Its amazing and interesting that often what you get is a strange kind of preternatural beauty as sounds combine and contrast in unexpected ways.

You, of course, may be sitting there thinking this is all noise with no redeeming features and that art is deliberation, a product of an artist using their talents to create something on purpose that conforms to rules. But consider this: no one made the countryside but I bet you find it beautiful to look at. The universe itself is random in the most radical way it could be. And isn't it full of wonder! What I've done this week is the same principle applied to sounds as I juxtaposed things without any real care for what they were or how I did it. And my attitude in making it was to allow the random sounds to reveal their inner beauty in the process of simply placing noises into a relationship with each other. And for that to happen you have to be open to it and not bounded in by notions of the "right" way to do things or what in the end are themselves completely arbitrary notions of right and wrong in any case. So what I did this week was part therapy, a break from the norm, part philosophy, an opening of my mind to possibilities, and part music, a creative playing with sound.

I've made 7 albums of this stuff so far because its relatively quick and easy to do. A couple of hours can easily produce 8 tracks and 30-40 minutes of music. In vinyl days that was a whole album. Of course, there will be a further bias at play here and that is the bias towards the thing that is difficult and takes effort over the thing that that is easy and quick and takes little effort. "It can't be worth much if it was so easy to do" will be the thought of some. And yet many of us humans are the result of a 2 minute fumble in the back of a car. Are we worth nothing either because of the easy circumstances of our creation?

In music and in life it might often be beneficial to think differently - just to see what could be rather than meekly accepting, in the most conservative way possible, what "is".